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New & Used, Discount Books Given Sugar, Given Salt: Book Search: Compare book price  Given Sugar, Given Salt
Author: Jane Hirshfield  

ISBN:  0060199547
Publisher: HarperCollins Publishers - 2001-02-01
Format: Hardcover
Book Details  Customer Reviews
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Customer Reviews:
This is what poetry is.     
Jane Hirshfield, Given Sugar, Given Salt (Harper Collins, 2001)

It's absurd to start talking about the best books I read in 2008 two days into the year (yes, I'm writing this review on January second), but that's the only way I can really approach Given Sugar, Given Salt, Jane Hirshfield's incredible little book of poems. When I'm reviewing a poetry book, I'll usually jot down notes, then spend fifteen to twenty minutes coming up with a quote that's both good (or awful, depending on the review) and that shows in some way the overall quality of the book; there is, however, the rare exception where I can simply open the book to a random page and start copying, fully confident that whatever passage I choose, it will be both wonderful and indicative. This is one of those books; I'm opening to a random page.

"There are times I feel myself a cow stripped of her leather.

The hide going on without me,
flensed, vat-dipped, beaten to pliable smoothness.

What remains-- awkward, vaguely aware
that something is missing, but what?-- continues
its looking outward, evenly breathes.

Sunlight, wind, the black, inquiring noises of others:
sharp now as the knife.

Muscled unjacketed egg.
Impossible butcher's diagram walking, Beginning to graze.
("Leather")

The first sentence sets you up for a letdown: it's a sentence that screams "I am a message poem. Take me seriously." And yet, when we jump over the strophe break and hit those next two lines, we get nothing of the sort. There's a surprising image couched in erudite language that is entirely inappropriate for its subject matter, and that inappropriateness makes the surprise all the more fun. The poem continues on with its gentle, if deeply sick, humor, until we get back to the "I am a message poem" stuff right before the last strophe, and then, once again, Hirshfield turns away from it, leaving the reader to figure out what the hell "muscled, unjacketed egg" has to do with anything, and making us laugh, uncomfortably, once again with "Impossible butcher's diagram walking." That's great stuff, right there.

The book's sole problem rises from this willingness Hirshfield displays time and again to walk that line between the vapid self-importance of message poetry and the brilliant, subtle lands she usually inhabits; as is to be expected, I guess, every once in a while she crosses over that line into the land of vapid message poetry. Those incursions, however, are rare, far more so than one would expect given how close Hirshfield always is to that edge.

This is amazing work, and it deserves to be read. Pick it up at your earliest opportunity. **** ½
"I would like not minding whatever travels my heart."     
I liked this collection, especially August Day and Balance.
Perhaps it's a good idea to see if those are available to read on-line before buying the book.

Her poems have become more spare over the years, and I find that has honed them to their essence, which appeals to me. I think they're more personal than her earlier work.

I also want to mention that if you love poetry there's a great Yahoo group called Panhala that automatically sends you a quality poem every day. Just join the group on Yahoo.
Luminous, lovely     
Jane Hirshfield's poems are luminous and never fail to lift me from the damp of a meaningless day. She shines light on the most ordinary things -- a room, a button -- and gives them the sheen of the holy. I always use her books in poetry appreciation workshops, and can't wait for her next collection.
A bright voice.     
Beautiful, lyrical, lingering poems. The kind that never hit you the same way twice. The kind you remember suddenly at odd moments. Think Sandra Cisneros, Adrienne Rich, Pablo Neruda. Jane Hirshfield is a little less punchy, a little more concrete, a little less heartstopping, respectively. Earthy and nostalgic. A lovely voice in her own right. [Mrs. Readwell's Recommendation: Read to savor.]
Given Jane, this is breathtaking     
Jane Hirshfield's poetry is as beautifully breathtaking as she herself. Her poems are tender and everyday and accessible. They always manage to touch my heart. I only wish she would publish more, and more often.
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Editorial Reviews:

An extraordinary new collection in which the widely acclaimed poet deepens and extends her explorations of essential human questions amid the changing and sensuous world.

"As water given sugar sweetens, give salt grows salty,/ we become our choices," writes Jane Hirshfield in Given Sugar, Given Salt, her fifth and most expansive volume of poems to date.  In this luminous and authoritative new collection, Hirshfield presents an ever-deepening and altering comprehensive of human existence in poems utterly unique, as William Matthews once wrote of her work, in their "praise of ceaseless mutability as life's central splendor."

In poems complex in meaning yet clear in statement and depiction, Hirshfield explores questions of identity, aging, and death; of the losses and gains both passionate connection and solitude; of time and the variegated gifts brought by its relentless passage.  Whether meditating upon a button, the role of habit in our lives, or the elusive nature of our relationship to sleep, Hirshfield brings each subject into a surprising and magnified existence.  Through the breadth and honed beauty of her contemplations, and in the deep usefulness readers ascribe to her work in their own lives.  Hirshfield has found a place distinctively her own among American poets.

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